Marius von Mayenburgʼs plays provide a critique of contemporary society, which is replete with violence and conformity. The playwright refers to the so‑called ‘new realism,’ and also incorporates elements of the post ‑dramatic theatre. Biblical motifs in contemporary literature, including German literature, have recently lost their popularity; however, they have not disappeared altogether. They continue to be a source of inspiration for artists across various domains. Marius von Mayenburg is no exception, as he fearlessly incorporates and reinterprets these motifs, harnessing their universal messages in his plays. This paper aims to trace biblical motifs and determine their function in three well‑known plays by the author: Parasiten, Märtyrer and Mars.